A$AP collaborator Clams Casino, first premiered earlier this year at the hometown concert broadcast Yams Day. Click the link below for instructions on disabling adblock.
Who doesn't But without advertising revenue, we can't keep making this site awesome. The album’s streaming debut comes with a slight rearranging of the original tracklist, dropping the A$AP Ferg-assisted “Kissin’ Pink” and the original closing track “Out of this World.”īut A$AP Rocky does tack on a previously unreleased song: “Sandman.” The new addition, produced by Kelvin Krash and Live. It looks like you are using an ad blocker. A$AP preceded and set the tone for the rapper’s later releases, including his 2013 debut album Long. This blog is for preview purposes only and all music downloaded should be deleted within 24 hours. We only index and link to content provided on other servers. A$AP is heading to streaming services for the first time on October 29th to coincide with the 10-year anniversary of the project’s release. This blog does not store any files on its server. “Sandman,” which was produced by Kelvin Krash and Clams Casino, follows a string of collaborations, but Rocky’s last proper solo track was “Babushka Boi,” released back in 2019.Ī$AP Rocky’s debut mixtape Live. A$AP, hit streaming services Friday morning, and the track list includes the rapper’s first new solo song in two years. It would be silly to expect socially conscious commentary from such a decidedly deviant rapper, but it’s nonetheless unsettling when, on “Jukebox Joints,” he defiantly states “I be damned if I die sober.” Yams tweeted that same line last October, three months before his death of a drug overdose (it’s unclear if Rocky was quoting him, or vice versa).UPDATE (10/29): A$AP Rocky’s first mixtape, Live.
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On “Dreams,” he observes in a daze that “Police brutality was on my TV screen,” but stops there. And there’s nary an acknowledgement of wider, real-life issues. Rocky is incredibly dismissive of women throughout, saving extra disrespect for “Better Things,” where he claims to have hooked up with Rita Ora. Still, there’s a huge helping of cognitive dissonance when an album so forward musically is so regressive lyrically. He’s not saying much, but he says it well. Like on his first album, Rocky’s raps lean on speed-shifting and internal rhyme schemes to chronicle exquisite thuggery and luxury escapism. Amazingly, it still sounds like one song.Ī$AP Rocky Explains Sexually Explicit Rita Ora Insult on New Album On “Fine Whine,” Rocky is joined by M.I.A., Future and his new protégé Joe Fox (who anchors almost a third of the album with sung hooks) over tribal drums pounding three different sets of rhythms. “Electric Body,” featuring ScHoolboy Q, is rooted in Baltimore club and New Orleans bounce, but they’re disrobed and stretched out - not quite chopped and screwed - into a languid cloud, and the result is something inherently new. There’s no trippy song, no bounce song, no cruising song instead, it’s Lucy in the sky with diamonds, making her booty clap while sipping on drank and listening to the Doors and Stax-era soul, on almost every track. But the LP incorporates the many sounds and voices in a smoother, more organic way than previous A$AP efforts.
The album has 16 guest appearances, including Kanye West, Lil Wayne and even Rod Stewart Rocky, his recently deceased Svengali A$AP Yams, Danger Mouse and Juicy J are all listed as executive producers. A$AP Rocky on Grieving for A$AP Yams, Police Brutality and Why Drugs Hil Him ‘Cope With Life’
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